Concerts are exciting times and typically draw crowds. Depending on band recognition and the venue, the type of systems that are set up will change. This setup will make all the difference in the sound and reception by the audience. Backline equipment is part of the setup and each band needs to consider what they will need since not all venues will have everything.
The equipment that is set up in front of the musicians is called the frontline. This usually includes monitors and PA speakers to help broadcast. All of the other systems included are usually backline systems. They include the instruments, amp speakers, and various implements. The quality and type depend on both the band and the venue where they are playing. When being booked, the band manager should discuss what the venue has as part of the contract process.
This setup is very important and matters a great deal for the sound quality. There have been instances where up and coming bands with very little in the way of amps showed up to a venue thinking they would have the rest only to find out the venue expected the band to have everything needed. Without the amps, power, and someone to help with the sound check, the concert could be a bust.
Many bands have their systems with them. This isn't an indicator that they will always have what is needed. Part of the booking process is checking on the venue size and location, what power is available, and what systems are already in place. Concert-goers do not want to have to strain to hear or have a tinny sound being broadcast because the wrong set up was in place.
Larger venues often have permanent setups. Some may even have instruments like drum sets available, though their quality may be lower and definitely used. Bands can't be expected to have a setup for each different size of the venue. If the system is not available, there are options for renting what is needed, but this needs to be done well in advance.
New and up and coming bands usually have to rent or borrow what they need. Equipment costs can skyrocket quickly. Having to buy a whole system is cost prohibitive and newer bands just can't afford it. If the venue is without the needed systems, they can often be contracted to rent whatever they don't have from a local music supply store. They need to be the right size for the venue in question.
A sound check is needed before every concert. If there are multiple bands, the last one usually sets up and sound checks first. Their systems are then pushed towards the back of the stage. The next to last and finally the first bands will then perform their checks. Once the first band is done playing, the crew quickly pulls their systems off stage and slides the next band's forward for a quick transition.
No traveling band can have all the equipment needed for every type of venue. Renting the systems they do not have is something that can be worked out in the contract during the booking process. Larger venues or those that have groups play all the time, often have their own permanent setup so incoming bands will have minimal needs when they get there.
The equipment that is set up in front of the musicians is called the frontline. This usually includes monitors and PA speakers to help broadcast. All of the other systems included are usually backline systems. They include the instruments, amp speakers, and various implements. The quality and type depend on both the band and the venue where they are playing. When being booked, the band manager should discuss what the venue has as part of the contract process.
This setup is very important and matters a great deal for the sound quality. There have been instances where up and coming bands with very little in the way of amps showed up to a venue thinking they would have the rest only to find out the venue expected the band to have everything needed. Without the amps, power, and someone to help with the sound check, the concert could be a bust.
Many bands have their systems with them. This isn't an indicator that they will always have what is needed. Part of the booking process is checking on the venue size and location, what power is available, and what systems are already in place. Concert-goers do not want to have to strain to hear or have a tinny sound being broadcast because the wrong set up was in place.
Larger venues often have permanent setups. Some may even have instruments like drum sets available, though their quality may be lower and definitely used. Bands can't be expected to have a setup for each different size of the venue. If the system is not available, there are options for renting what is needed, but this needs to be done well in advance.
New and up and coming bands usually have to rent or borrow what they need. Equipment costs can skyrocket quickly. Having to buy a whole system is cost prohibitive and newer bands just can't afford it. If the venue is without the needed systems, they can often be contracted to rent whatever they don't have from a local music supply store. They need to be the right size for the venue in question.
A sound check is needed before every concert. If there are multiple bands, the last one usually sets up and sound checks first. Their systems are then pushed towards the back of the stage. The next to last and finally the first bands will then perform their checks. Once the first band is done playing, the crew quickly pulls their systems off stage and slides the next band's forward for a quick transition.
No traveling band can have all the equipment needed for every type of venue. Renting the systems they do not have is something that can be worked out in the contract during the booking process. Larger venues or those that have groups play all the time, often have their own permanent setup so incoming bands will have minimal needs when they get there.
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