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vendredi 18 janvier 2019

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By Patricia Russell


Among the trappings of modernity are the conditions of openness, globalization, and cosmopolitanism. This would have been impossible and unthinkable in days of yore. This values apply in nearly all aspects of life and work, as in the art world. Back then, only the really talented or those of the noble lineage could pass for valuable patronage. And in recent history, the works of so called Master, who, as it is, are long dead, were the only artists that mattered. These divisive walls are gradually crumbling down, however, and more and more modern and contemporary fine art gallery pennsylvania are up for the taking.

Contemporary fine art is something that is quite rarified and even esoteric to certain unimaginative people. Some punks dont even deign to understand the concept behind certain artworks and go on to malign and deprecate them. Some iterate that only the handiworks of fifteenth century artists should be held up to the pedestal.

This elitist attitude really bodes ill for the umpteenth talented craftspeople alive in this day and age. After all, creativity and innovation is not something active and exclusive solely in the Renaissance. Techniques, materials, and media are more advanced these days, and they grant an almost unlimited means of expression to artists and creators.

There are also movements like minimalism, which takes on the brunt of most criticism of modern art. The idea one shouldnt overlook though, is its revolutionary concept, which challenges existing structures that prejudice against these pieces. Viewers are made to respond not to highfalutin interpretations, but to what they see on the surface. Similarly, there is conceptualism, in which the idea behind the work is the actual moot point.

European modernism also subsumed surrealist works. You get the artworks of Edvard Munch, which could have been quite, say, different in its day and age. Needless to say, these opened up new areas of possibilities and exploration to artists who think and feel out of place in their classical upbringing.

Modern art is a comprehensive and many layered thing. You have the outputs of Western painters, but then you also have the works of artists from Africa, Asia, and specific cultural denominations. When you bundle all these varieties together, you may begin to appreciate the diversity of craftsmanship and artistry the whole world over.

The plethora of movements most common in contemporary artworks include and are not limited to pop, street, and urban artworks, which were rife in the 1950s. Sensationalism also played a key role. Andy Warhol, for example, painted a mere can of soup and people went wild. Same goes for Mondrian who painted 1 dimensional cubes with primary colors. Feats like this establish the position of modern art in this present day.

The thing is that these aforementioned artists created especially personalized artworks. With the post expressionist works of Picasso and Munch, for example, we get the feeling and perspective of vibrant, overwhelming, and sometimes disordered colors. Mondrians most famous works, however, transmit a feeling of order in shape and color arrangement which can be pleasant to any discerning eye.

Contemporary arts offer a leeway by which talented artists can transmit their feelings and virtuosity to the stiffness and ennui of the canvas. The art world is no longer and exclusive and elitist field in which one must belong to a particular school or sect. Like the creative medium of poetry, an artist sticks to his own personalized style and may even utilize his or her own feelings and experiences as the worthy subject. As long as this artist is able to transmit the selfsame feelings and sentiments wrought by his own hands to a discerning observer, then it is no doubt a quintessential work of art.




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