You don't have to be a millionaire to collect good artwork. The pieces you choose may not be old masters, but if they are originals in good condition by interesting artists, your investment may increase in value over time. This being the case, you want to preserve the work carefully to avoid damage and deterioration. There are simple steps any collector can take to minimize the need for the art restoration New Jersey craftsmen provide.
It's important to keep other materials from coming in contact with artwork created on paper. This includes gluing or taping a mat to the front of a watercolor or dry gouache piece. Mats should be hinged to back mats. The mat material itself needs to have an alkaline Ph or neutral content. Hanging artwork in areas where they are exposed to direct sunlight will eventually ruin them.
If you decide to store a paper artwork, you should never put it someplace where it can be exposed to damp conditions, such as a basement. The piece may get mold, buckle, and eventually begin to disintegrate. By contrast, storing paper artwork in attics, where the temperature fluctuates and can be very dry, could cause the work to contract and make it susceptible to tearing.
Oil and acrylic on canvas are generally sturdier than artwork on paper, but a lot of the same rules apply. Direct sunlight will cause paint to fade. Since these works are not preserved behind glass, dust and dirt can become ingrained in the canvas. It is usually a good idea to leave paintings in their original frames. You may not like the style, but if it is what the artist chose, there was a reason for it.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
Collectors of textiles know how easily they can be damaged if they are left in direct sunlight. Even with protective UV glass, harsh light will damage the work. It is best to hang textiles in rooms with low light. Storing them in wooden chests or cardboard boxes is a bad idea. Wood, of any kind, can stain them and cause irreparable damage.
It is very easy to knock over free standing art objects. If they are fixed to a sturdy base, they may have some protection, but it is an even better idea to keep them in an area of low traffic. Large rooms are the best place for statues, vases, ceramics, and other free standing art.
You may not have masterpieces, but good pieces of art are a financial investment. They need care to survive. Taking simple steps to preserve them is essential if you want future generations to enjoy them.
It's important to keep other materials from coming in contact with artwork created on paper. This includes gluing or taping a mat to the front of a watercolor or dry gouache piece. Mats should be hinged to back mats. The mat material itself needs to have an alkaline Ph or neutral content. Hanging artwork in areas where they are exposed to direct sunlight will eventually ruin them.
If you decide to store a paper artwork, you should never put it someplace where it can be exposed to damp conditions, such as a basement. The piece may get mold, buckle, and eventually begin to disintegrate. By contrast, storing paper artwork in attics, where the temperature fluctuates and can be very dry, could cause the work to contract and make it susceptible to tearing.
Oil and acrylic on canvas are generally sturdier than artwork on paper, but a lot of the same rules apply. Direct sunlight will cause paint to fade. Since these works are not preserved behind glass, dust and dirt can become ingrained in the canvas. It is usually a good idea to leave paintings in their original frames. You may not like the style, but if it is what the artist chose, there was a reason for it.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
Collectors of textiles know how easily they can be damaged if they are left in direct sunlight. Even with protective UV glass, harsh light will damage the work. It is best to hang textiles in rooms with low light. Storing them in wooden chests or cardboard boxes is a bad idea. Wood, of any kind, can stain them and cause irreparable damage.
It is very easy to knock over free standing art objects. If they are fixed to a sturdy base, they may have some protection, but it is an even better idea to keep them in an area of low traffic. Large rooms are the best place for statues, vases, ceramics, and other free standing art.
You may not have masterpieces, but good pieces of art are a financial investment. They need care to survive. Taking simple steps to preserve them is essential if you want future generations to enjoy them.
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Find a list of the advantages you get when you use art restoration New Jersey services and more info about a reliable service provider at http://www.bythecpress.com today.
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