To be strict, any movie made in the United States but not by a bid studio can be categorized as an independent movie. To speak practically, it reflects a broad family, including almost any film that was made without the funding and connections enjoyed by mainstream Hollywood movies. Films in this family have an uphill climb facing them when it comes to distribution, even in New York or Los Angeles. People looking to enjoy these films should learn how to enjoy indie movies online.
From the standpoint of quality, one should bring certain expectations. The films aren't typically just low budget versions of the same old Hollywood formulas, but typically explore themes and techniques the can't usually be found there. They take advantage of the fact that they don't have to earn one hundred million dollars, and try to appeal to a smaller, more discriminating audience.
The work horses of the independent movie is the small band of independent film makers, increasingly sporting their Masters of Fine Arts in film. There is also an army of untutored enthusiasts with cameras. These directors and producers are part of the same field, with the un-degreed, "wildcat" moviemakers perhaps more drawn toward action-packed genres like horror.
The nature of entertainment nearly dictates that there are going to be genres that almost never hit the marketplace jackpot. First among these is the documentary. Documentaries are of out-sized importance in the indie film market. They have a rare capacity to shine a spotlight upon issues that are ignored by Hollywood, and which are ignored by the nightly news as well.
Documentaries have been used as an instrument of social resistance, deployed by the world's most powerless. Often, documentaries are the best way a Westerner can come to understand the plight of those eking out an existence in those obscure corners of the world, such as Serbia and Indonesia. Within the West, documentaries peer into the unattended corners still with us, often on the underbelly of our gleaming cities. One camera can undercut the messaging of dictatorial regimes and uncaring corporations.
The world of film school, consisting of graduates, faculty, and current students, naturally dovetails with the world of independent film. Accordingly, the websites that cater to the indie audience often carry those films students use to learn their art, whether "independent" or not. They frequently carry foreign language films, especially acknowledged international classics. They also offer silent films, which are ignored by the blockbuster-addled public.
Among the wonderful things indie films can do is make movies that help minorities see their lives reflected on the screen. The films can actually become a vital aspect of such groups' lifestyle, a pocket universe of media within the mass market. The LGBT community, eager to find screen romances that break the heterosexual mold, takes full advantage of indie movies' ability to give voice and image to smaller audiences.
Another community is made up of evangelical Christians and other traditionalist groups, including a new wave of Mormon filmmakers. These groups often feel that the values of mainstream, Hollywood media fare too rarely reflects their values, and are building their own media environment one movie at a time. The reasons to invest a little time, and possibly just a little money, finding independent films on the internet grow each year.
From the standpoint of quality, one should bring certain expectations. The films aren't typically just low budget versions of the same old Hollywood formulas, but typically explore themes and techniques the can't usually be found there. They take advantage of the fact that they don't have to earn one hundred million dollars, and try to appeal to a smaller, more discriminating audience.
The work horses of the independent movie is the small band of independent film makers, increasingly sporting their Masters of Fine Arts in film. There is also an army of untutored enthusiasts with cameras. These directors and producers are part of the same field, with the un-degreed, "wildcat" moviemakers perhaps more drawn toward action-packed genres like horror.
The nature of entertainment nearly dictates that there are going to be genres that almost never hit the marketplace jackpot. First among these is the documentary. Documentaries are of out-sized importance in the indie film market. They have a rare capacity to shine a spotlight upon issues that are ignored by Hollywood, and which are ignored by the nightly news as well.
Documentaries have been used as an instrument of social resistance, deployed by the world's most powerless. Often, documentaries are the best way a Westerner can come to understand the plight of those eking out an existence in those obscure corners of the world, such as Serbia and Indonesia. Within the West, documentaries peer into the unattended corners still with us, often on the underbelly of our gleaming cities. One camera can undercut the messaging of dictatorial regimes and uncaring corporations.
The world of film school, consisting of graduates, faculty, and current students, naturally dovetails with the world of independent film. Accordingly, the websites that cater to the indie audience often carry those films students use to learn their art, whether "independent" or not. They frequently carry foreign language films, especially acknowledged international classics. They also offer silent films, which are ignored by the blockbuster-addled public.
Among the wonderful things indie films can do is make movies that help minorities see their lives reflected on the screen. The films can actually become a vital aspect of such groups' lifestyle, a pocket universe of media within the mass market. The LGBT community, eager to find screen romances that break the heterosexual mold, takes full advantage of indie movies' ability to give voice and image to smaller audiences.
Another community is made up of evangelical Christians and other traditionalist groups, including a new wave of Mormon filmmakers. These groups often feel that the values of mainstream, Hollywood media fare too rarely reflects their values, and are building their own media environment one movie at a time. The reasons to invest a little time, and possibly just a little money, finding independent films on the internet grow each year.
0 commentaires:
Enregistrer un commentaire