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vendredi 5 décembre 2014

Info Post
By Claudine Hodges


Each chapel has a unique design that calls for customized audio features. This uniqueness is determined by the activities that take place, expectations of the community and the structure of the chapel. There, however, are global standards that guide the choice of church sound system designs. The standards help engineers during construction and local contractors when developing a quotation.

Installing the right audio equipment and systems allows maximum utilization of available space. These standards will also make it comfortable to sit at any corner and easily follow proceedings. The equipment provide a perfect interface for members to follow the preacher. Every member becomes an active participant in the sermons.

It has taken numerous studies and evaluation to develop the standards. Comparisons have been drawn after considering the success of chapels with the best audio quality. They help to maximize the available space and determine the right equipment. This will make the preacher comfortable as well as the congregants gathered to listen to him.

Audio quality will be affected by the particulars of the design. A poor design will fail miserably even in the face of the most advanced technology. There are excellent options to suit every budgetary requirement. Working with dedicated audio engineers guarantees excellent value for money.

Audio standards apply to systems across different environments including churches and auditoriums. Human beings are inclined to face the direction of the source of sound. The first test for professionally designed systems is their ability to create one center of attention. All speakers must cause the audience to face the preacher, stage, performance or the altar. People get distracted if the voice appears to come from behind or from the sides.

A high threshold is set on intelligibility regardless of the advancement in technology being used. There is a comfortable distance that is established between the microphone and its user. The microphones must have the capacity to pick sound from the distance and broadcast it to all corners. The proposed distance is 18 to 24 inches on average.

The setting in the chapel sometimes requires several microphones to be open at the same time. This is necessary to reduce movement and time lapse between two events. Poor design will cause feedback if two microphones are open at the same time. Control should be simplified and centralized. Audio technicians ensure that all equipment are synchronized to improve the quality of sound.

The technicians who setup the audio network do not remain behind during normal services. This means that the system must be easy to control by a layman. A speaker who is loud and one who is soft should use the same equipment without the need for adjustment.

Consideration should be made for congregants with hearing loss issues and those using hearing aids. There are others who require the speaker to raise his voice for them to understand. Regardless of their number within the congregation, they must be accommodated.

To test if the system is right, you should close your eyes and listen to the sound from the speakers. With your eyes closed, face the direction of the sound. When the eyes are open, you should be facing the center of action. A good system will increase participation and concentration in the church.




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